“OK, Mr. Stock. We’re ready to record . . .”

The Chicago Symphony Orchestra’s commercial recording legacy began 99 years ago on Monday, May 1, 1916, shortly after the close of the 25th season. Those first recording sessions were led by our second music director Frederick Stock for the Columbia Graphophone Company at an undocumented location in Chicago. Four works were recorded that first day: Mendelssohn’s Wedding March from A Midsummer Night’s Dream, Wagner’s “Ride of the Valkyries” from Die Walküre, and Grieg’s Two Elegiac Melodies (Heart Wounds and The Last Spring).

from the archives

The Chicago Symphony Orchestra’s commercial recording legacy began ninety-nine years ago on Monday, May 1, 1916, shortly after the close of the twenty-fifth season. Those first recording sessions were led by our second music director Frederick Stock for the Columbia Graphophone Company at an undocumented location in Chicago. Four works were recorded that first day: Mendelssohn’s Wedding March from A Midsummer Night’s Dream, Wagner’s Ride of the Valkyries from Die Walküre, and Grieg’s Two Elegiac Melodies (Heart Wounds and The Last Spring).

xxxxxThe Chicago Symphony Orchestra’s first recording: Mendelssohn’s Wedding March from A Midsummer Night’s Dream

“Stupendous recordings by entire Chicago Symphony Orchestra. By far the greatest achievement of the day . . .,” raved an October 1916 Columbia Records brochure. “The first offerings are two masterfully played compositions. The deepest glories vibrant in such a familiar composition as Mendelssohn’s Wedding March are unguessed until interpreted by such…

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